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Nearly a quarter of American academics in the social sciences or humanities endorse ousting a colleague for having a wrong opinion about hot-button issues such as immigration or gender differences. * The numbers tell the story as well as any anecdote you’ve read in the headlines or heard within your own circles.
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Pano Kanelos at Bari Weiss's Substack We Can't Wait For Universities to Fix Themselves.
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Patrons get exclusive access to one full extra episode a month.ĭaniel's Twitter: Twitter: on Apple Podcasts: Please consider donating to help us make the show and stay independent. Thankfully we got Kristin Rawls and Jeff Eaton from Christian Rightcast to come back to help us talk about it. But Halsey makes it feel as true as every other moment on Manic.Dear God I wish stuff would stop happening. It’s a rare glimmer of optimism on an album full of pain. The album’s moment of bliss is the fabulously spacey country-rock romance “Finally/Beautiful Stranger.” It sounds like her A Star Is Born cameo might have fired her up to do her own “Shallow.” But it’s reluctantly hopeful, as Halsey sizes up a new flame - “You got hips like Jagger and two left feet”-and surrenders to the vertigo of letting go and getting her expectations up yet again. As she quips, “I remember the names of every single kid I’ve met/But I forget half the people who I’ve gotten in bed.” Even as she pays the bills for her family, she feels abandoned, admitting, “I’ve stared at the sky in Milwaukee and hoped that my father would finally call me.” She fantasizes about getting revenge for her emotional wounds in “Killing Boys” and “I Hate Everybody.” In “929” she gives a rundown of her twentysomething angst: loneliness, anxiety, real estate purchases, hair loss, falling in love with drug addicts, nicotine withdrawal, stressing over responsibility to her teen fans. Morissette definitely sounds like a kindred spirit, letting loose some Cher-like wails straight from the City of Angels soundtrack while Halsey purrs, “Your pussy is a wonderland.” But Manic is about the here-and-now real world and her fight for a place in it as a young woman.Īs she confesses in “Still Learning,” “I should be living the dream/But I go home and I got no self-esteem.” She gets introspective, exploring everything from Lilith Fair folk guitar to South Korean rap. As she told Rolling S tone last summer, Manic is “hip-hop, rock, country, fucking everything.” Who else but Halsey would get stellar guest shots from Alanis Morissette and Suga from BTS on the same album? Manic is her first album since Hopeless Fountain Kingdom, her 2017 Romeo and Juliet trip, set in a Shakespearean dystopia. Yet Halsey’s Ashley Frangipane is a mess who’s a hungrily ambitious artist seeing herself as a mirror for her entire generation.Īnd she curates one mean mixtape. Manic is Halsey’s raw autobiographical portrait of the artist as a young mess, craving her share of love and tenderness in a hostile world.
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Still, she knows how to make it a thrilling quest. And as you’ve probably guessed, the singer doesn’t even come close to finding peace of mind in these songs.
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Don’t assign me yours.” It’s from the film Eternal Sunshine of the Spotless Mind, spoken by the manic, pixie dream-girl heroine Clementine.
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Early on Halsey’s excellent new album, Manic, she samples a bit of movie dialogue: “I’m just a fucked-up girl looking for my own piece of mind.